FinePix HS20EXR
Fuji HS20
Just to get some drooling

Record-breaking, innovative, versatile; the new Fujifilm FinePix HS20 is all this and so much more. Replacing the multiple award-winning FinePix HS10, this latest addition to the range of Fujifilm bridge cameras represents the perfect picture taking solution for photographers who want the specification and picture quality of an SLR without the heavy camera bag and huge dent in their bank balance. With a class-leading feature set that includes a brand new EXR CMOS sensor, high speed continuous shooting capability, improved user interface, versatile video functions, 30x zoom lens and a 16 megapixel resolution, the HS20 sets new standards in bridge camera functionality and performance.
Fast, brilliant, results in all lighting conditions
Sitting at the heart of the FinePix HS20 is an all-new sensor that marries EXR and CMOS technologies to deliver truly outstanding results, regardless of the lighting conditions.
The secret lies in the combination of Back Side Illuminated (BSI) CMOS and Fujifilm’s unique EXR sensor technology. The design of conventional CMOS sensors is such that the light has to pass through a layer of wiring before hitting the photo diodes. But the BSI-CMOS configuration places this wiring layer behind the photo diodes improving light sensitivity and dramatically boosting results, particularly in low light. Couple this to the triple-layer EXR array, the performance of which can be split according to the lighting conditions, and you’ll see why the FinePix HS20 sets new standards in sensor technology.
As with other FinePix models featuring EXR sensors, three shooting options are available. In the High Resolution mode, users can take advantage of the huge 16 megapixel resolution (the world’s largest for a sensor of this type) for truly breathtaking levels of detail and sharpness. The Dynamic Range function uses dual capture technology to provide a maximum range of 1600% - which is almost a full stop wider than any other camera - for stunning results on high contrast scenes. While the Signal to Noise mode increases pixel size using Pixel Fusion to produce outstanding images in low lighting conditions.
With this unique sensor combination, capturing great pictures has never been easier.
High speed, high quality
Thanks to the FinePix HS20’s heady mix of sensor and processing technologies, brilliant action shots are possible no matter how fast the subject is moving. Whether you’ve got the HS20 trained on sport, wildlife or just the kids running around, continuous full resolution shooting at 8 frames per second will make sure they’re stopped in their tracks. And if that’s not fast enough for your needs, how does 11 frames per second at eight megapixel resolution sound?
There’s also no need to worry about slow auto focusing making you miss your shot; the HS20’s contrast AF system takes no longer than 0.16 seconds to focus. So, it’s more likely to be human reactions that fail before the camera, but the HS20 even has that eventually covered as well with the Best Frame Capture Mode. Here, the camera starts recording images from the moment you half-press the shutter release to focus. When you do take a picture, the HS20 also capture seven frames before or after you’ve taken the shot to make sure you get one perfect image. Friends and family will think you’ve turned into a professional sports photographer overnight.
EXR engine drives key picture-taking benefits
EXR technology isn’t purely limited to the FinePix HS20’s sensor, the camera also features a newly developed triple core EXR processing engine, which speeds up processing time & boosts performance and picture quality on both still and moving images.
Photographers who like to point and shoot will benefit from the expanded scene recognition function. In addition to nine subject-based scene scenarios, the HS20 also employs object recognition to identify whether the scene includes a conventionally-lit portrait, a backlit portrait or no portrait at all. This delivers a total of 27 different scene scenarios for which the camera then optimises exposure and white balance before adding a relevant tag to make the images easier to find later.
The EXR processing engine also has the capability to spot and reduce purple colour fringing, most common on dark subjects against a light backgrounds, and improve the resolution at the corners of an image for more uniform image sharpness.
Perhaps the most obvious benefit of the EXR engine, however, is the new Rich User Interface, which employs Flash and Vector fonts and graphics to dramatically improve the appearance of the FinePix HS20’s menus. Users can wave goodbye to pixellated graphics and enjoy smooth text and icons on the camera’s menus, now presented on a three inch LCD screen which doubles the pixel count over its predecessor to 460,000. Plus, because the Vector fonts and graphics are scaleable, you’ll get the same high quality on an HDTV when the camera is connected via its HDMI socket.
For users who struggle to find images on increasingly-large capacity memory cards, the FinePix HS20’s improved image searching capabilities will come in very handy. Now, searching through thousands of images can take seconds, not minutes. Once you’ve found the shots, it’s easy to put them in to a photobook using the Photobook Assist function where the HS20 creates the book, tags the images and then lets you ‘turn’ the pages to simulate the final book – all on the rear LCD or your HDTV.
Make broadcast quality movies
The FinePix HS20 isn’t just a camera for shooting stills; it also offers an impressive level of video functionality using the H.264 (MOV) Full 1080p HD format and stereo sound. The mainstay of broadcasting and Blu-Ray technologies, the H.264 format produces file sizes that are smaller and easier to handle than AVI, plus they’re compatible with many applications and websites, making it simple for you to share video content via sites such as YouTube.
For those wanting the highest quality movies, the FinePix HS20 captures 1920 x 1080p footage at 30 frames per second. Versatility is further increased thanks to the High Speed Movie options, which include 320 x 112 pixel capture at an incredible 320 frames per second or 640 x 480 pixel capture at an impressive 80 frames per second. With features like this, even the fastest moving subjects can be captured and watched in super-slow motion.
Video shooting in low light also just got easier, thanks to the inclusion of the EXR HD Movie mode. By employing the same Pixel Fusion technology as it does for still images, the FinePix HS20 delivers high sensitivity and low digital noise for movie capture in low lighting conditions without the need to resort to additional lighting. Now you can capture the mood of sunsets, interiors and parties in both still and movie form.
A lens for every application
With a 30x zoom range covering focal lengths from 24-720mm (35mm equivalent), the FinePix HS20 EXR really is ready for anything. Boasting high quality Fujinon optics, the mechanical zoom lens is now even easier to operate thanks to a reduction in the size of the integral flashgun. Zooming through the range can be done quickly and precisely to ensure perfect framing for every shot.
The HS20 has ways and means to combat all kinds of camera movement, and with its three image stabilisation methods, you can be reassured that regardless of what focal length you choose, your images will be blur free. Firstly, the EXR CMOS sensor moves during exposure to eradicate shake. Secondly, the camera will employ Pixel Fusion to increase sensitivity and boost shutter speeds and finally in EXR Auto, the HS20 features an Advanced Anti-blur technology where four images are taken in quick succession then combined to deliver a single shake-free image.
And the improvements don’t stop there…
Further enhancements have been made over the HS10 to enhance the user experience and make the FinePix HS20 the perfect all in one camera. These include an improved Motion Panorama mode for simple, high quality 360° image capture, compatibility with the RR-80 remote release, film simulation modes and the provision to accept high capacity SDXC cards.
Flash users will be pleased to hear that the HS20 also offers TTL flash metering and will be supported by two new compatible flashguns; the fixed head EF-20 and bounce head EF-42, which also offers auto zoom and an AF assist illuminator.
Fujifilm FinePix HS20 key features:
- All-new 16 megapixel EXR CMOS sensor
- 30x optical zoom covering 24-720mm (35mm equivalent)
- 3.0 inch tilting rear LCD with 460,000 pixels and new Rich User Interface using Vector fonts and graphics
- Full resolution high speed shooting at 8fps, high speed video capture at up to 320 fps (320 x 112 pixels)
- Advanced Anti-blur technologies
- 1600% wide dynamic range
- Longer battery life (up to 350 frames with 4 x AA batteries)
- Electronic Horizon level function
- RAW shooting (RAW or JPEG or simultaneous RAW+JPEG)
- Full HD movie capture using H.264 (MOV) format
- New 27 mode EXR Auto mode
- Colour fringe reduction and improved corner sharpness
- Film simulation modes
- Quick start mode
- 360° Motion Panorama mode
- TTL flash control with optional external flashes
- Lens hood included
- Photobook Assist function
Fujifilm FinePix HS20 specificationsSensor
• 1/2" EXR-CMOS sensor
• 16.0 million effective pixels
Movie clips
• 1920 x 1080pixels @ 30fps
• 1280 x 720pixels @ 60fps
• 640 x 480pixels @ 30fps
with stereo sound
Movie mode functions• High Speed Movie(80/160/320 fps)
• Vertical movie shooting tagging
• Still Shooting during in Movie RecordingFile formats• Still image : RAW, JPEG (Exif Ver. 2.3 )
• Movie : H.264 (MOV)Lens
• Fujinon 30x Optical zoom lens
• F2.8 - F5.6
• f=4.2mm – 126mm
• 24 - 720mm equiv.
Image stabilizationYes, Sensor-shiftMeteringTTL 256-zones meteringAperture
F2.8- F11 (Wide)
F5.6- F11 (Tele)
Modes
• Program
• Shutter Priority
• Aperture Priority
• Manual
• Custom
• Auto
• SP
• Movie
SceneEXR AUTO (27 scenes)White balance
• Automatic scene recognition
• Preset (Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm White), Fluorescent light (Cool White), Incandescent light)
Self timerApprox. 10 sec./ 2 sec. delayContinuous shooting• L : Top - 8 / 4 (3, 5, 8 fps)
• M : Top - 16, 8, 4 (3 / 5 / 8 / 11 fps)
• S : Top - 32 / 16 / 8 / 4 (3, 5, 8, 11 fps)Flash• Auto flash(super i-flash)Electronic Viewfinder• 0.2-inch Colour LCD
• Approx. 200,000 dotsLCD monitor
• 3.0 inch
• approx. 460,0000 pixels
• TFT colors LCD monitor
Digital input/output• USB 2.0 High Speed
• HDMI Mini connectorVideo output
NTSC / PAL selectable
Storage• Internal memory (Approx. 20MB)
• SD / SDHC / SDXC (UHS-I) memory cardPower4 x AA batteriesNumber of frames• Alkaline : Approx. 350
• Ni-MH : Approx 400
• Lithium : Approx. 700Weight (no batt) Approx. 636gWeight (inc. batt & card) Approx. 730gDimensions131 (W) x 91 (
x 126 (D) mmIncluded accesories• 4 x AA type alkaline batteries
• Shoulder strap
• USB cable
• AV cable
• Lens cap and Lens cap cord
• CD-ROM
• Owner's manual
• Lens hoodOptional accesories• AC Power Adapter AC-5VX
• DC coupler CP-04
• Lens hood LH-HS10
• Remote release RR80
• Shoe Mount Flash EF-42 / EF-20



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small sensor plus huge megapixels = muddy pictures.
Im reducing the size of picture my HS10 takes down to about 8 megapixels to see if it can compete with the quality of my old s5800 because at 10 megapixels its just not getting there despite all the bells and whistles.
EDIT: As usual I have to eat my words. Reducing the size of my pics did not make them any better. Making some simple changes to the setup options did improve the picture quality quite dramatically. I took advice from Ray and changed the 'sharpen' and 'tone' settings to standard and got an immediate improvement in performance when combined with using that little +/- button on top of the camera to adjust the exposure (with the control knob). Another good thing about the HS10 is the lack of chromatic abberation, that was terrible on the s5800, I had forgotten about that until looking back at my old pics today.
So long and thanks for all the fish
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I will wait for the 4th firmware update to iron out the stuff they should have sorted in the R&D stage, which if the the hs10 is anything to go by, should only take a couple of months.
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Hi Andy.
I'm not sure if its the pixel size. I'm not convinced.
I think it's the way the jpg algorithm works. Fuji's jpegs look different to every other camera manufacturers jpegs I've seen. The way it melts it's colour together is not as smooth as others. Even the RAF file when viewed in the silky-pix software places some form of noise reduction and pinching of the image. Once you sort that and let another program do the jpg conversion the results seem better to me.
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Hi Ray.
you alright with the comment of the algorithm of Fuji.
I searched around in different doc's and I figured out Fuji used I think the most badly algorithm. I mean there are more better algo out there but why they choose "Very High Speed JPEG Codec Library" I don't know I think because of speed, and Fuji made that algo so they have not to pay for it any licence or so...
no other reason can I see.
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so I should use RAW mode and see if PSP can make a better job of converting them? Im not sure if PSP can read HS10 RAW files though.
So long and thanks for all the fish
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If the new sensor is that good, why not make a bigger one and throw it in an SLR?
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Hi Steve. Your description of the HS20exr due out in March seems like an advert from Fuji. I have seen other show previews of this camera and 1 issue Fuji has not addressed is that small viewfinder you hated so much on the HS10. As I suggested a year ago, the eye sensor could easily be placed below the eyepiece as it is on Canon DSLRs enabling a bigger view. However, I can see many HS10 users being tempted to upgrade. Personally, I cannot afford to, both for financial reasons and the continuance of my 35 year old marriage (What another camera??) You know what I mean.
Peter B Keddie
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What I'd really like to know is how the autofocus works with continuous shooting. Does it lock onto the first shot and stay fixed until shooting is over - like most bridge cameras? Does it re-focus on each frame? If you hold the shutter button half down does the focus lock there too? I'm fed up with half baked solutions like that and won't buy another camera without checking this out first. Are you able to see a continuous image while shooting continuously - or does the image balck out as with most cameras? It would be really useful to know.
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Well Fuji why not just take more time in the developement stage of the camera i.e. get the firmware right from the outset. Is this getting to be a case of new camera every year to get an award that the one last year got. I for one will be waiting before I consider updating my current camera yes a HS10.
Perhaps Fuji could take note of the number of articles that are appearing in photo mags. with regard to the none inclusion of a full manual for the camera. Latest article in current AP in the end the owner took his HS10 back to where it was purchased an obtained a refund. It is the minor things that matter and I for one am not paid to be a test bed for a camera that has been rushed out and not properly researched and developed. I did get fed up with being a test bed for computer operating systems.
On the lack of a manual for the HS10 all you have to do is ring up customer relations and within 2 to 3 days you will have the full maual. Now to me that says fuji do have them so why not include one with the camera at the outset ?
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Well I just bought the HS10 at x-mas and no mention that there was to be a HS20 talk about clear out all the old stock then throw in a new model. Bad luck fuji I am sticking with HS10, will get 10 years out of it by then it will be a HS100
Eddie
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How do I reduce the megapixel setting on the HS20 as I believe this will sharpen my photos, I have used the camera in Venice and the shots are not as sharp as my old olympus bridge camera.
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ho w do i initialise a sd card for the hs20exr?
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i am at present trying the new HS20 out with all its bells and whistles and finding it a little confusing my other camera is the FinePix s9600 I like the HS20 for its longer zoom but I wish it had a book with it and not the CD what does other uses of this camera think about it
D Swaffield
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I really appreciate the work and effort done here but at the same time I also know that every one has its own way of taking things, some will like it or some don't but you got to give credit to the person who atleast give us something to talk about.
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I agree with you Amigo i upgraded from my HS10 to the HS20 EXR but hate cd manuals, much prefer to have it on paper.
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What they apparently still haven't done , that would cost b****r all and make the camera much more pleasant to use:
1) Include a lens hood like the one that came with my old S6500fd. It works great even at 24mm , which the ones you can buy on ebay don't (they vignette @ 24mm)
2) Include the little plastic catch you put on the shoulder strap to hold the lens cap (ditto S6500fd) - can't find one to buy anywhere
Alan Kirkby
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The mystery lies in the combination of Back Side Illuminated (BSI) CMOS and Fujifilm’s unique EXR detector technology. The design of conventional CMOS sensors is such that the decoration has to pass through a level of wiring before beating the picture diodes. new year status || christmas quotes
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In Movie clips 1280 x 720 pixels is only 30 fps, not 60.
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